Engaged or enraged: slides and recommended reading from my talk at UX Camp Brighton 2012

Most important stuff first: Thank you!

A big ‘Thank you!’ to everyone who attended my talk about designing for emotional experiences. You were a great and really supportive audience, and I really enjoyed it. I hope you had fun too!

Find the slides from the presentation below. The recommended readings are listed below the slides.

Slides

Engaged or enraged: Start designing emotional experiences without losing your UX soul!

Hi everyone! My name is Jiri, I work as an UX consultant for POSSIBLE and I also study Human-computer Interaction at UCL. Today, I’m going to talk about how to design emotional experiences based on insights from users.

Emotional timeline from Experience Map

Let me tell you a short story. About 8 months ago, I was designing an Experience Map for American Express. The brief was to describe journey of their product and how our personas interact with that product at given times. Part of that Experience Map I designed was this diagram showing the emotional state of the main persona – the customer – through all phases of interaction with the product. You can see, according to the map, that the customer is having some ups and downs, but is quite happy in general.

Do you think that this emotional timeline was based on some data collected from users? No. Or you might think that after the map was completed, I tested the experience with the actual users and amended the map accordingly? Again, no. How useful is a deliverable that is not rooted in the evidence from users? How can it inform our designs?

Contents

I will tell you about tools for capturing users’ emotions and frameworks for designing emotional experiences today. These tools and techniques are very simple and when you get back to work on Monday, I want you to start using what you’ll learn here today straight away.

Core of user-centred design

We know that insights from users are the core of the user-centred design. Many of us even run various research activities, ranging from think aloud walkthroughs and paper prototyping sessions to a full blown contextual inquiry. I believe that all of us can agree that great design needs to be rooted in users’ goals and needs.

When it comes to designing for emotion though, we are lost.

We are lost

Instead of insight from users, we tend to use our sense, our expertise, or, in the best case scenario, patterns that others claim as successful. We don’t deliberately design for a specific set of emotions and we don’t iterate our designs based on what our users feel when they interact with our products.

MailChimp

There are a few well known books on this topic, such as Designing for Emotion by Aaron Walter or Seductive Interaction Design by Stephen Anderson. What you learn from those books though are design principles, that might help you to design products with friendly and happy interfaces, that might make your users smile.

I talk about patterns like use of anthropomorfic design, use of friendly language, Easter egg games, surprising users and playing with their expectations, emotional impact of colours, or creating product that has friendly and “personality.”

But not all products should be happy, casual and making jokes as the MailChimp chimpanzee.

Planet of the Apes

Your product’s personality might look more like this.

King Kong

Or even like this! Think about funeral service website that would talk to their customers in casual friendly language and make occasional jokes. Or about NHS website where patients can search for urgent help – such website has to facilitate very different emotions to MailChimp as well.

We can’t use same emotional patterns to design every website. Most of them might be very straightforward, such us e-commerce or b2b corporate websites, but there is a whole lot of digital services that might be very different to that. Also, think about the future – we are designing websites now, but as the age of ubiquitous computing is approaching, we might find ourselves designing experiences for a whole range of other digitally enhanced objects for smart homes for example, where the emotional aspect of products will be much more important.

Essentially, to stand true to our user-centred approach, I believe that the emotional side of UX should be rooted in the evidence from user research.

Total Recall

So how can you research emotions? There are various ways how to do it, and I bet you heard about measuring emotions with the help of EEG, skin conductivity sensors, pupil dilation sensors, fascial muscle contraction cameras and other hi-tech solutions. These methods are very accurate, but you need the technology to do them. I want to introduce you to rather low-tech techniques that you can start using straight away, just with pen and paper.

Capture emotions on the fly

I’ll introduce you to a very simple technique of capturing emotions on the fly. Imagine you are doing a think aloud user session. You are observing how the user interacts with the product, making notes of usability problems, and exploring how is the user’s mental model matching with the conceptual model of the product.

But what if you want to record what the user feels at each stage of the interaction? You need the user to self report the feelings, but it usually gets difficult for people to express their emotions. The tool you are going to use should not distract the user too much, or create a massive cognitive load. A tool like that might be the Self-evaluation Manikins.

Manikins 1

Provide users with a scale on which they can quickly asses their emotional state. On this scale, they will mark how happy they feel.

Manikins 2

On this scale, the users will mark how energetic they feel,

Manikins 3

and finally, here they will mark how “big in the world” they feel.

This is a quick and unobtrusive way how to record user’s emotions. There are a few limitations you need to keep in mind. The scale allows to capture only very narrow area of potential emotional states. That is the trade off for the simplicity and effectiveness of capturing emotions on he fly. Also, the technique might not be totally accurate, because some users might have problem matching the manikin and their emotion. That is quite normal though, as we recognise other people’s emotions only in 80% of cases.

Manikins 5

If you have more time to evaluate, or you want to evaluate emotions on much more granular level, it is a good idea to do a study that takes slightly longer time.

The ideal format for that is a diary study. Users keep using the product, and make notes about their experience into a diary that is provided. This technique can be easily hacked for capturing emotions.

Capture emotions over longer period

Provide your users with diaries, and also cards with printed Geneva Emotional Wheel on them. The wheel provides much broader range of emotions for assessment, as well a strength of a particular emotion. Your users interact with the product, and you instruct them to mark their feelings on the wheel throughout their experience. Start with their expectations and their immediate reactions to the product, continue with marking emotions during he actual interaction, and finally let the users to capture their emotions when they tell stories about the product to their friends and feeling they have when they reflect upon their experience.

Geneva Emotional Wheel 2

Your users will use the Geneva Wheel as a scale and will mark their emotions on it accordingly. The scale is much broader and has finer granularity than the manikins, and also allows to record how strong the emotion is, from the centre of the wheel to the border. When you finish your diary study, you collect the diaries, wheels and of course interview your participant.

Design for emotions

You collected lots of data about how your users feel when they interact with your product. But how can you utilise that data?

First, use the data to enrich your personas. This is the easiest way how to feed your evidence into next iteration of the product. You might also review your Experience Map if you have one, or build a new one. Such map can be valuable tool to communicate the experience across your project team and with all stakeholders. If you find that results of your research does not match product’s goal and experience you plan to build, it is time for an action!

Framework for Emotional Design

How can you then start designing the right emotional experience? There are several design frameworks that can help you to stay on the right track. The most simple and straightforward is Don Norman’s “Framework for Emotional Design” that has been published in Emotional Design: Why we love (or hate) everyday things.

The framework will help you to separately focus on three main parts of the experience: Visceral, that is all about immediate feelings, look and first impressions, behavioural, that focuses on the experience during the actual interaction with the product, and finally reflective that is all about how the user feels after using the product, about reflecting upon the usage and what the user tells about the product to his or her friends.

Framework for Emotional Design 2

Create a table with three columns, Visceral, Behavioural and Reflective, and put down emotions you want your user experience in each part of the experience in the highest granularity possible.

This document might serve as a source for the new Experience Map, or be a standalone deliverable.

Then develop your minimum viable product and test it with the manikins, or even better with the Geneva Wheel. Compare results with your Visceral – Behavioural and Reflective sheet, and iterate the product. The circle closes and you achieved to design real emotional experience based on user research.

Keep designing

So now when you know about tools that you need to design emotional experiences, I’d like yo to go and start designing. Make your users happy, surprised, scared or disgusted. Just go and design some emotions!

Thank you!

Recommended reading on designing for emotions

1) Essential reading

2) Capturing emotions

Geneva Wheel

Self-assessment manikins

3) Emotional design frameworks

Norman’s Framework for Emotional Design

Jordan’s Four Pleasures framework

McCarthy & Wright’s Technology as Experience framework

Why might be the WiFi-enabled London Tube a bad idea?

I received an e-mail from the Transport for London today, that made me a bit sad. Some of the most frequented London Underground stations, such as Oxford Circus, King’s Cross St. Pancras, Victoria and a couple of other ones got a wireless coverage, allowing the passengers in ticket halls, corridors and platforms happily use free internet (after a registration, of course). Before the Games, there should be 80 Tube stations with WiFi coverage.

Now, everyone with a smart device in their pocket can access internet while waiting for their train at the enabled stations. Eager commuters can check when is the next train due, tourists can find out what line they should take if there is a closure and businessmen may search for the most efficient journey from King’s Cross to Kensington Olympia. Cool, isn’t it?

I understand that internet access might decrease the travellers’ enquiries the poor Underground staff has to answer all day every day. Important messages can be served to the customers, and even possibly pushed into the devices. So far so good.

But there is also The Dark Side. Continue reading

UK UPA Ethnography event – a few notes & recap

UK UPAI was fortunate to get the ticket and here are my notes and recap of the 15th March UK UPA event on Ethnography, hosted by Sapient.

The event was quite enlightening, mainly because I never got a proper exposure of ethnographic field research before. Of course I know some theory – for example Alan Cooper dedicates to ethnographic contextual research loads of space in his brilliant About Face and considers it to be one of the crucial cornerstones of the user-centred design process.

Despite that, it is sometimes hard to realise the implications and the range of qualitative data designer or researcher might get out of a such study. One of the speakers, Simon Johnson, went briefly through the field research project for Sky Broadband, that was focused on how users set up their modems. He collected and analysed incredibly huge amount of data from interviews and observations and his insights were used to redesign the product. This eventually resulted in reduction of over 1 million calls per year, which translated into a saving of £4.5 million. And that sounds like a win! Continue reading

Why should UX designers care about ergonomics?

One module I did during my HCI-E course at UCLIC this year was Ergonomics. Because my background is originally in designing web interactions, front-end development and graphic design, I was fascinated by the physical side of Human-Computer Interaction straight from the beginning.

I haven’t got enough time to explain what is anthropometrics (describing physical attributes of target population) or task analysis (vast range of methods allowing to map interactions and processes and to analyse them) here and now. I’m not going to argue how useful might be fitting trials and why having standards and guidelines (UX & UI designers call them pattern libraries and best practices) gives ergonomists great advantages.

All of that knowledge seemed to be so interesting.

But then I thought – how can I use all this in my UX consulting job? Why should UX designer care about ergonomics?

Continue reading

A few notes on Lean UX talk by Jeff Gothelf – London IA February 2012

London IAI was fortunate enough to secure my ticket for this month’s London IA event, and I was really looking forward to hearing Jeff Gothelf‘s talk about Lean UX, especially about usability testing and gathering user feedback in agile environment. I have to confess that the talk was really great, one of the most inspirational ones I heard in last six months.

“Stay lean and focus on the experience, not the paperwork.”
- Jeff Gothelf

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11 weeks at UCLIC

This autumn was full of big changes!

I moved from wonderful Yorkshire down to London – and you can probably imagine that I started to experience totally different and exciting world – but that would be a story for another article.

I started also new and exciting job as User Experience Consultant at Fortune Cookie. It is now 3 months since I joined the company – and I’m learning more and more every day.

And finally – and this is something I was looking forward to for so long – I started the MSc course in Human-Computer Interaction with Ergonomics at UCLIC! Now, I’m 11 weeks into the course and I have to confess that what I experienced so far hugely surpassed my expectations. Continue reading

Design Jam London 4

Recently, I was fortunate enough to get a ticket to the Design Jam London #4 this November. I heard a lot of praise about this event and I was really interested if it could live up to my expectations.

The event, hosted by City Uni, started early on Saturday morning at 8:30 (ouch) with a brief introduction of the organisers, mentors and sponsors. Soon the goals of the Design Jam and the main challenge were presented.

The main challenge was to design a solution that would help the shoppers to find and choose their best outfit for upcoming occasion. We were encouraged to get out and ask potential users about their shopping habits, behaviour, stories and frustrations, and use this knowledge to inform our design decisions. Continue reading

To boldly go…

Right, it’s official now!

Just in a few weeks I’ll be moving from lovely Yorkshire down to London. That’s one small step for mankind but one giant leap for a man ;-)) How exciting!

University College London

From September I’m going to start the MSc Human-Computer Interaction with Ergonomics at University College London, where I’m going to learn about the wonders of HCI, interaction design, psychology and emotions in design! I’m really excited about that, and about the fact that I’ll have a chance to participate in the London UX community and learn about things I’m really passionate about.

Big thanks to all who support me in my decision! Cheers guys :)

March Northern User Experience meetup

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Emotions in Design

Let me introduce you to a mini-series of articles on the importance of emotions in design.

Today, the approach to user interface and interaction design is still often steered away from using emotion as a tool for interaction between the user and the product and as one of the cornerstones of the user experience design.

The first software designers were those who possessed the knowledge how to write instructions in programming languages – developers, engineers and techy nerds. Naturally, they cared much more about the viscera of their products than about the emotions their creations can imply. Continue reading